Friday 27 November 2015

ANOTHER PLACE, ANTHONY GORMLEY









The light was fantastic; tactile, translucent, diaphanous, sublime. The sky huge, giving us an Artist’s horizon of the Albert Dock. Industry and nature. Man’s machines and the natural world. The weather was perfect. The weather woman had told us wind and rain. She was wrong.







The clouds were strata, high and thin. And it was high tide.








We giggled. Where were the iron men? We’d driven all the way to Liverpool, to see Antony Gormley’s ANOTHER PLACE installation on Crosby Beach, and nature had defeated us. We'd come on a pilgrimage; such a long way. But as King Canute famously discovered; you can’t control the mood of the ocean waves. So we just stood and breathed the cleansing scent of the salty sea air, and watched the crashing waves.









Then, as we watched, the tide turned. Slowly, slowly, before our eyes, the waves receded, revealing a sandy beach. Dylan pointed to what looked like a rock, appearing just above the waves. Is that one? Then I spotted another. We watched for a while, then turned back to the first. A man was emerging, as the tide withdrew. And as the ocean sucked the waves back, more and more iron men appeared.



Antony Gormley constructed the iron men after making a cast of his own body. There’s 100 of the iron men, scattered over the vastness of Crosby Beach. The final men are just uncovered at low tide. They tell you not to walk out to the men farthest away. The ocean is unpredictable, and the tides turn quickly. It would be easy to get cut off. There’s quicksands here too.
Nature is dangerous.It’s impossible to see more than two or three iron men, at any one time. They stand, alone, lonely, just staring out to sea. Blank eyes fixed on the horizon.



First just the heads, then the bodies, then the whole thing. It was like watching primal pagan gods, emerging from the ocean. It gave me the feeling of what it must have been like to be one of the first men. Just looking at the vastness, amazed -- and filled with wonder. As always, in the presence of great Art, of things that are so much bigger than me, I felt tearful. Such a gift Antony Gormley has given us -- just because he can.



I don’t know what the installation is supposed to mean -- if anything. Some people say it’s a comment on the first men to emigrate. A sense of loss. Of leaving the homeland and staring out across the huge Atlantic Ocean. Daring to leave; not knowing what’s on the other side. To boldly go, (sorry, couldn’t resist).



But it doesn’t matter. It means different things to different people. It doesn’t have to mean anything. The light, the sounds of the ocean, the vast expanse of beach, the skies. For the two of us -- we just felt privileged to look and wonder.



Friday 20 November 2015

FEMALE BONDAGE




Ooh! Tie me up…tight…I can take it. Blindfold me; gag me. Show me to your friends as I sink passively into my humiliation. Tighter tighter. Blindfold me as well. Stuff my panties into my mouth so I can neither breathe nor speak. Then you can rescue me; untie me. By indulging me in this secret ritual, you show me that you love me.


Check out Aubrey Beardsley’s dirty picture. The woman is stuffed -- literally. She is being whipped; tormented by her master. Beardsley draws a degrading image; yet the woman does not struggle. She acquiesces. She is passive.


The passivity of women, portrayed in bondage images, struck me, as I put this piece together. It’s the contrast to the piece I put together a few weeks ago, on male bondage that I find intriguing. The men struggle furiously; violently against their tormentors. Their desperate cries can be heard through the canvases; they echo in the marble sculptures. The women do not cry out; they just take it.


If the old Masters are deliberately intending to arouse, is the sight of a strong man struggling, a turn on? And the sight of a docile woman, meekly succumbing to her fate, erotic? Traditionally, the answer has to be ‘yes’. The themes of struggling man and helpless woman, are reflected in contemporary pornography and old stories. Look at Laocoon fighting his adversaries; those muscles! The Sleeping Beauty, the most passive woman in our fairy stories, isn’t just surrendering to her fate, she is sleeping through it; until, of course she is rescued -- by a strong man.


But to get back to bondage; what’s going on? Why do folk want to tie each other up? Are they sexually strange? Is there such a thing as sexually strange? Or are the web sites coming up on the search engine, just tapping into a fetish that’s been going on for centuries, in those very old stories and paintings?


The bondage of Andromeda is a topic that has fascinated artists for centuries.




Edward Poynter paints Andromeda in 1869. She bows her head. She submits. Her hands are tied behind her. Her blue, silken robe, restrains her further.

Here is Andromeda’s story.


In Greek mythology, Andromeda was the daughter of Cepheus and Cassiopeia, king and queen of the kingdom Ethiopia.
Her mother Cassiopeia bragged that she was more beautiful than the Nereids, the nymph-daughters of the sea god Nereus and often seen accompanying Poseidon. To punish the Queen for her arrogance, Poseidon, brother to Zeus and God of the Sea, sent the sea monster Cetus to ravage the coast of Ethiopia including the kingdom of the vain Queen. The desperate King consulted the Oracle of Zeus, who announced that no respite would be found until the king sacrificed his virgin daughter Andromeda to the monster. She was chained naked to a rock on the coast of Jaffa. Luckily, the hero, Perseus, was sailing by, fresh from slaying the Medusa. He fell in love with Andromeda and rescued her, just as she was about to be devoured by the sea monster.




Gustave Dore paints Andromeda, also, in 1869. Dore paints her delicately. You can count her tiny toes. Her skin is fragile; translucent. She is a helpless victim.






Rembrandt paints Andromeda in 1629. His Andromeda has a look of desperate fear on her face. Still, she does not struggle.

Tying up women is an ancient art, that is thriving today. You can read stories about it on the web; you can look at pictures. I got 715,000 hits just from typing in ‘female bondage’ to Google. Interestingly, I got twice as many hits for ‘male bondage.’ Why is that I wonder? But that’s maybe a topic for a different discussion. Although, any suggestions will be gratefully received!

Friday 13 November 2015

SWINGERS, by George Pappas



I am so pleased and yes, honoured that George Pappas comes to my blog this week to talk about the Swinging life style and his great novels, “Monogamy Sucks” and “Dear Hef”!



Monogamy sucks for me and I think for a lot of other people too. Every time you turn around there’s another celebrity or politician cheating scandal. I believe this is a microcosm for what is happening in our larger society. I mean studies say there is a 50 percent chance someone will cheat during a marriage and of course we know that 50 percent of marriages fail in this country. So all is not well with monogamy and relationship contrary to popular belief, which is what I explore in my novel Monogamy Sucks.

I don’t think people are realistic about monogamy and its potential limits. I personally don’t think monogamy is natural. It is something that is imposed and encouraged by society and tradition, but it doesn’t work for a lot of us in this modern world so ripe with temptations. So people stray and cheat, and the whole notion of monogamy begins to appear hypocritical.

Open relationships and swinging are not for everyone. You have to keep an open mind and can’t be judgmental. But swinging is much better than cheating. Swingers don’t have to lie about their desires for others. All I ask with my book is for people to consider alternatives, keep an open mind and not judge others.

Swingers are not freaks - -- they come from all walks of life. You probably know a swinger right now and don’t know it.

Swingers fall in love, have families, own houses with picket fences, work day jobs, go on vacations and live the mainstream life except in their bedrooms and sex lives.

This book all started with my own monogamy crisis. When I was in my mid- thirties, I grew dissatisfied with monogamy and conventional relationships. It led me on an interesting journey into the swinging lifestyle. I wanted to write honestly about my experiences and to dispel a lot myths about swinging and swingers in the media, TV and movies. I essentially learned that swingers are like everyone else except in the area of their sex lives.

I started writing my novel Monogamy Sucks in March 1998, however, because of my fears and doubts that anyone would be interested in my story, I kept my novel in my computer for more than 12 years as I worked on many drafts. Early in 2009, I read an article on the Huffington Post about how a number of bestselling books started out first as blogs. So I decided to launch my novel on a blog one chapter a time in May 2010. Several months later, digital publisher Lazy Day Publishing offered me a book deal. I seriously doubt if that would have happened if I hadn’t put my novel out in the blogosphere and tweeted about it on Twitter. I believe Twitter is an essential tool in promoting my book and novels in general as is Facebook, blogs and the Internet overall.

I call my book real life erotica or reality fiction. I hold nothing back. It is like Tucker Max meets Sex and the City -- an unflinching look into the male sexual mind.

My book is frank, funny and shocking at times but above all -- it is painfully honest.

My novel -- really all my novels -- give women intriguing insight into how some men -- more than would admit it -- really think about sex, monogamy and relationships.

I have also has started a sequel to “Monogamy Sucks,” and I am eventually is looking to turn Jake Dalmas’ erotic adventures into a trilogy of books.

The story is told in the form of a fictional diary by my book’s protagonist Jake Dalmas, who is looking for answers to deal with his growing disillusionment with conventional relationships and monogamy.

A few years later, I realized that these sexy, bizarre, funny and even at times inspirational experiences would make an interesting novel.

I knew nothing about the swinging lifestyle before my own personal journey. I was going on myths and misconceptions about this hidden world that still persist today. So I had to research everything about swinging for this novel. To just write about it without participating seems patently dishonest to me and would only perpetuate the myths about swingers that are already out there.

The story is loosely based on my experiences in the swing world, and the stories of others I met along the way, but I want to stress that this is a work of fiction and it’s not non-fiction, a memoir or autobiographical.

I see Jake’s journey as one that has largely gone untold in fiction. There are a lot of books out there honestly documenting the female point of view when it comes to sex and relationships, which I think it a great thing, but there are too few novels detailing the male view on the subject. Furthermore, swinging has not been adequately explored in fiction as it no doubt should be. Contrary to popular perception, there is a lot more interest in swinging among the general public than people might think. Just look at the explosion of porn on the Internet and sex and swinging Web sites.

This is a great time to be a writer. Finally, authors are finding that they have many avenues to pursue their dreams of being a novelist.
Readers and my fellow writers and critics have started to embrace my book and my character’s journey which is reflected in the growing number of impressive reviews on my Amazon page and on the Internet.

As with the rest of the entertainment industry, the Internet will completely transform the publishing business in the coming years. Writers should embrace the immediacy of the Internet as a beneficial means to expose their work and develop their own audiences rather than wait around to be discovered by an agent or publisher. That’s the future of publishing – do it yourself -- whether the publishing industry wants to acknowledge it or not.

The next best selling writer or literary star more than likely will be found on the Internet and not in the usual places such as writer workshops or universities.

Look at Amanda Hocking. She was discovered through her blog and now has prosperous writing career. Stories like hers have been an inspiration for many of us writers.

I have also has started a sequel to “Monogamy Sucks,” and I am eventually looking to turn Jake Dalmas’ erotic adventures into a trilogy of books.

In my most recent novel entitled DEAR HEF released in September, the dark side of Internet hook ups meets Hugh Hefner and Playboy cool. It is also funny, sexy and explicit in detailing my character’s online adventures and how he e-mails Hef the details (or what he calls his "Playboy Training") as a clueless fan.
I’ve also been invited to write a story for an erotica anthology coming out in October on Lazy Day Publishing entitled "Indulgence." It will have some paranormal elements which will be new territory for me.




In an interview with “The Next Big Thing”, George Pappas was asked what other writers does he compare to within the Erotica genre?

George talks enthusiastically about Charles Bukowki’s “Women,” Henry Miller’s “Tropic of Cancer,” Anais Nin’s “Henry and June,” to name a few.

“Each of them bravely and uniquely explored controversial sexual and societal issues in a frank, unsentimental manner exposing truth and hypocrisy alike. I treasure novels that truly take me on a journey and challenge my preconceptions about life.”

George was then asked about the inspirational writers; writers who had influenced him to write MONOGAMY SUCKS.
“The two most influential books on me as a writer are Henry Miller’s “Tropic of Cancer” and Anais Nin’s “Henry and June.” Miller’s and Nin’s eagerness to explore erotic subjects in a serious way that were considered taboo at the time (1930s and 1940s) has always impressed me. Miller’s frank and brutal honest prose and Nin’s sensual, erotic and insightful diaries and description of her own sexual awakening have impacted my own writing. I say this humbly, but I view my novels “Monogamy Sucks” and “Dear Hef” as my attempts to write modern versions of Miller’s and Nin’s seminal novels.

“I wanted to write honest books about swinging, monogamy, sex, Internet sex, but leave in all the troubling, shocking and funny encounters most other erotica books leave out. Despite its explicit content, I don’t consider what I write erotica. I call it real life erotica or reality fiction without the erotic trappings of your typical erotica novel. I want to make you think and laugh not just turn you on.



An interesting and intriguing essay from George I think you’ll agree. I don’t believe that the mainstream and its conventions take kindly to criticism. It isn’t at all surprising. We’re talking about a hegemony that has propped up the status quo for centuries. Open any book on English critical theory, or the social sciences and you’ll find chapters devoted to hegemony. One definition of hegemony talks about the concept of Imperialism. But hegemony is also about the construct of society; basically how we organise ourselves; how we run things. We are protective about our social order; in terms of monogamy – one man, one woman for life, but as George Pappas so succinctly puts it, “monogamy sucks.” It does for him, and for a lot of other people too. Monogamy has certainly sucked for me and I’ve had to find my own way around its suffocating conventions. Monogamy is there because it always has been, because that’s the way it is. Okay, monogamy is there for good reasons; financial security, emotional security, love, but it increasingly appears that monogamy is not for everyone.

All that George Pappas is asking through his books, is that we consider that there might be another way, and the statistics that he cites in the first paragraph of his essay for failing relationships are persuasive. His books convey a personal politics that is frightening for the mainstream.

“…but right now I have no illusions about the prospects of my books in the mainstream...
as an author, poet, etc...I scare people in the mainstream it seems...”


The message in George Pappas’ books is revolutionary and in some ways shocking, but I think that his quest rings of integrity and wholeness. Dark forbidden desires…that’s what we are talking about – isn’t it? And as writers and readers of Erotica we delve into the darker side of desire every time we open a book or open our word processor. All swingers do is to act on those desires.


And George is in esteemed company. DH Lawrence first published Lady Chatterly’s Lover in Italy in 1928. It was 1960 before an unexpurgated version could be read here in England after a famous court case where the Crown accused Penguin Books of peddling pornography.

James Joyce, probably one on the most influential writers of the 20th century, famously said that public reception of his work made him feel like an exile in his own country.

And my own writer friend, Jan Vander Laenen is clearly irritated by the way his work is viewed in his own city, Brussels.

“About the Flemings and the gays here, they treat me as if I don't exist anymore although many people begin to recognize me in the streets. Maybe they read me in private and loathe me in public. The literary agent here was afraid of the consequences taking me as a client, the politicians are afraid to help me, and a lot of gays don’t simply accept that I also describe the darker side of the gay world."


I’ll let George have the final word.

“I hope readers will take a chance and read my provocative novel Monogamy Sucks, or Dear Hef and won’t be put off by the controversial content. They really are like no other novels they will have read. However, my books have some relevant and interesting things to say about sex, relationships and monogamy, and is an intriguing exploration of the male sexual mind. I think my novels appeals to both sexes, but it really seems to have struck a chord among women, which was unexpected. Yes, my books are explicit, but I believe the themes are more universal than one might think.”



Friday 6 November 2015

Love or abuse? Liberation or bondage? Looking at the themes in “Good Pussy Bad Pussy – Rachel’s Tale” by A. Aimee





I wrote “Good Pussy Bad Pussy – Rachel’s Tale” because of my fascination with sex! Yes, like most people, I’m obsessed, fascinated, tormented and enchanted by sex. And it’s no wonder since sex is the most powerful drive, urge, impulse of them all! Or as I like to say – Nothing satisfies like sex. Nothing completes like sex. Nothing releases like sex. Nothing can compete with sex!


So I wanted to write about orgasm as the ultimate surrender and a portal to ecstasy and bliss – in other words, I wanted to write about orgasm as a state that is so intoxicating that everyone wants to experience it! And then I wanted to add to this an exploration of the conundrum that arises if we reach this intoxicating state of surrender and bliss in and through situations (and/or with people) that we don’t particularly like or find acceptable.


In other words, what happens when the body experiences one thing while the mind is screaming something else? And by this I mean – our bodies are designed so that when we are stimulated sexually, the sensations are pleasurable whether or not we like the person we’re with or the situation we’re in. Interestingly enough, this is something many people experience even though most people will not admit it or talk about it because they consider it shameful. And because experiences like this are so taboo, when something like this happens, it leaves most people confused, ashamed and/or upset. Because how can something be both objectionable and pleasurable at the same time? It’s a real dilemma. So what does it mean? And how do we live with experiences like this and deal with them?


This is what happens to Rachel, the main character in “Good Pussy Bad Pussy” In her attempt to escape an unhappy marriage, she runs away and discovers and experiences great sexual release in ways that surprise, delight and shock her but which are not always socially acceptable. Hence the title of the book – Good Pussy Bad Pussy.


And then I wanted all this to take place against the backdrop of our modern day society – with all its ideas about marriage, fidelity and monogamy which so often block or twist or pinch off our natural sexual drive/energy and our ability to joyfully experience our own sexuality.


So the book asks many questions. Questions like – what is Rachel, the heroine of the book, really experiencing? Is it love or abuse? Is it liberation or bondage? Is she really free or not? And who is making these choices for her? How much of all that happens to her in the book is based on social programming and negative social norms about sex? These are some of the questions the book poses through the dilemmas Rachel faces in the book.


So yes, I tried to mix all this together and from what readers and reviewers are saying, I can see I have at least managed to stir some of this up. Many reviewers say they initially didn’t like the main character, Rachel, because of what she does, but then as they follow her through the story, they come to understand her and finally really love her and her journey.


So I hope you will enjoy Rachel’s journey as much as I have! Her journey has been so compelling that it has continued in a new book entitled "Good Pussy Bad Pussy in Captivity".

Here's Amy's web site her Twitter account Here she is on Facebook and at Goodreads

You can buy Good Pussy Bad Pussy and Rachel's Tale at Amazon US Amazon UK

Good Pussy Bad Pussy in Captivity is at Amazon US and Amazon UK